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Top 12 Disney Heroines

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EVERYONE, at some point or another, has discussed their favorite Disney Villains, I am sure. There’s a reason the Happiest Place on Earth has made their most vile and corrupt denizens a major money-making franchise, much like anything else they get their grubby little animation-master hands on.

But there’s a group of characters I often feel get the short end of the stick when people are discussing Disney...and, oddly enough, it’s the protagonists! The guys and gals who we are technically supposed to root for, the characters who have to face the villains and save the day. Many people tend to dismiss them, for some odd reason...which is sad, because Disney’s protagonists are often just as good (sometimes better) than their antagonists.

So, I’ve decided it’s time to give the heroes and the heroines their determined due. Now, I AM splitting this idea into two different lists, for a very simple reason: Disney’s films often have to central protagonists - whether it be a prince and a princess, or some other duo - and, in many cases, one half is better than the other, but that doesn’t mean either one is bad. It would seem like I’d be giving Belle the short end of the stick if I only talked about the Beast, and vice-versa.

So, let’s start as a gentleman would start: with the ladies first! These are my Top 12 Favorite Disney Heroines!


12. Ariel, from The Little Mermaid.

I think it’s safe to say that, in the grand scheme of things, Ariel was a game-changer. The three great princesses of Disney’s past were Snow White, Cinderella, and Aurora (a.k.a. Sleeping Beauty). While I, personally, don’t think any of them were terrible characters, I think everyone can agree they are now seen as probably the weakest links in Disney’s fabulous princess line-up; while both Snow White and Cinderella had to work hard, and were rewarded for their patience and kindness, and while Aurora held on to her beliefs, they didn’t really fight whatever happened to them. Ariel was another story. She was an emotionally-charged powerhouse of a character, who didn’t wait for her prince to come, or wait for things to go her way: she set out to MAKE things happen, even if she didn’t necessarily choose the right way to go about it. She was still caring and sweet, but she could also be funny and curious, and equally so, could also be headstrong and fiery. She was basically a real teenaged girl, with all the flaws that comes with, but plenty of virtues to balance it out. Top it off with some top-notch animation, and it’s easy to see why this little mermaid paved such a glorious path for future Disney Heroines.


11. Jasmine, from Aladdin.

In many respects, Jasmine is similar to Ariel...and, in fact, one could argue she’s a weaker character. After all, Ariel saves her prince a couple of times throughout the film; she takes charge, and even when she picks the wrong path, she’s playing an active role in making a change for herself. Jasmine, in the course of her film, leaves her palace once, and really doesn’t help Aladdin out all that much; even when she does, he’s usually the one taking charge. In the course of the story, Jasmine is depicted as something of a prize to be won: she’s the one both the hero and the villain are after, albeit for different reasons, and much of the conflict revolves around her. So, why is she higher than Ariel, you may ask? Well, there are two big things that make me like Jasmine just a little bit more: one, her motivations. Ariel takes charge for HERSELF, but Jasmine is a little more selfless than that. She doesn’t just dislike the laws because they are there, or because it means she can’t get what she wants; she shows concern for the poor people of Agrabah, and feels that the rules governing her life are rules nobody should be forced to follow, because they simply are not fair. This was further explored in the television series based on the film; “The Little Mermaid” got a t.v. show, too, but Ariel in there, while she could be a problem-solver, really didn’t SACRIFICE much. Jasmine, in several episodes, had to give major things up just to try and help other people. This didn’t mean she WASN’T selfish, and that she did not and could not do things just for herself, because she wasn’t perfect; it simply meant the motivation wasn’t totally self-centered. On a somewhat similar note, the second reason was Jasmine’s naivete. Ariel was naive, too, because she had lived under the ocean her whole life. But, let’s be honest, the ocean is a VERY big place, and even though Ariel is something of an odd duck, it was made clear that she had friends and a family that cared for her. As far as we can tell, the only person Jasmine has (besides her pet tiger...emphasis on “pet”) is her father. And...yeah...the Sultan, though he cares for her, obviously isn’t the best person to go to with her issues, since...well...he’s the Sultan. And a bit of a doofus. She’s lived an even more sheltered and isolated life than Ariel, so when she makes mistakes, it makes things a bit more understandable, in my opinion. And, in my opinion, the mistakes she makes aren’t as frequent, or as destructive, as Ariel’s. Ariel oddly trusts Ursula, even though she seems frightened of her; Jasmine never once makes the mistake of trusting Jafar.


10. Mulan, from...well...Mulan.

Much like Jasmine, Mulan’s motivations come from a very selfless place: she disagrees with the stringent rules around women in Ancient China, but, perhaps more importantly, she does most of what she does out of devotion to her family. She doesn’t want to see her family hurt, doesn’t want to see her father die, and even when she’s forced to do things she’s scared about, or doesn’t want to do for any other reason, it’s done for the purpose of ensuring her family stays safe. At the same time, she does want to prove herself, too; the two motivations, ultimately, end up tying into one another. She knows she’s not what the world wants her to be, but she also knows that what SHE wants to be isn’t considered acceptable in her society. These are themes and ideas many princesses embodied both before and after Mulan, but her story is probably the most intense, because her stakes and goals are so much higher. She’s not just curious the way Ariel is, or even Jasmine is, and seeking a man is never - NEVER - on her mind. That’s not to say she doesn’t end up falling in love, but it was never once part of her plan, and is never once the driving force behind her story. Her goals are two very simple, yet very big things: helping her family, and saving China itself. Both are selfless, and both are huge. Though she has to go in a sort of backwards way to prove her worth and help the things and people she cares most for, it all pays off in the end, and she never once loses sight of what was and is important to her, even at her lowest points. Even when she’s out of the armor, Mulan is the definition of a soldier.


9. Moana, from...Moana...ohhh, dear…

Much as Jasmine is similar to Ariel, Moana is, in my opinion, similar to Mulan. (And not just because their names start with “M” and are also the titles of their respective films.) Her goals and motivations are sort of the same: help her family, save the world and her people, and find or prove who she is to anyone who doubts her. What’s different in Moana’s case, however, is that the conflict is just as much between these motivations as against any external stimuli. Ever since she was a child, she’s been irresistibly drawn to the sea, but her family forbids her to venture beyond the horizon. It’s a crazy world, and the island they live on has all they need. This is the crux of the film: Moana has to figure out where her duties truly lie, and if her needs and wants can coexist. She’s a princess, but does she want to be a queen? She wants to go out to sea, but can she simply abandon her people? She longs for adventure, but is it all worth it in the end? Her adventures begin when the island starts to go through a famine, and her reckless spirit is only spurred to find what’s out there. Perhaps by venturing into the unknown, she can help her people at the same time. Of course, when she does go out in the world, she finds it’s a much stranger and much more dangerous place than she ever anticipated. It’s the constant battle between selfish and selflessness, naivete and competence, that makes Moana so interesting. She’s somehow both incredibly level-headed, and yet an exuberant idealist, all at the same time. It’s a tough balancing act to pull off, but the writing, acting, and animation all work to pull it off nicely.


8. Mary Poppins, from...oh, the heck with it; you already know…

The only live-action character to make it onto this list; I think it’s safe to say every kid wanted Mary Poppins to be their nanny. She was, as she herself put it, Practically Perfect in Every Way. (Albeit a bit vain; perhaps her only flaw...and even that wasn’t undeserved, when you’re as magnificent as she is/was.) Mary Poppins is an oddity in that we don’t really know that much about her; her past is unclear, her age is unclear, her identity is unclear. We’re not really sure about who or even what she truly is. All we know is that she has a lot of magic on her side, and whenever she pops up, there’s a problem that needs fixing. Many other Disney Heroines create a sense of strength mixed with vulnerability; they’re tough and determined, but you also want to take care of them. Mary Poppins has the opposite effect: she’s the person you want to take care of you, and who you wish you could be. There seem to be almost no limits to the sorts of things she’s capable of, yet she doesn’t seem to make a show of them. Indeed, she often treats them as mundane, or even dismisses them totally, leaving you constantly confused and amused at the same time. It’s hard to tell when Mary Poppins is lying or telling the truth, but it’s always clear that she has your best interests in mind. Whether she’s taking you into an animated world of illustrated wonders, or bringing a broken family back together, she makes the ride an interesting one indeed. But there’s also a great sadness to her, as well, because once her job is done, she has to leave. Like any nanny, she has to give up her charges at some point. And it becomes pretty clear that, while she puts up a facade of professional carelessness, she really does care for all the people she comes into contact with. A tower of power with a soft, sugary center, Mary Poppins will always have us looking to the Eastern sky with wide-eyed curiosity.


7. Anna & Elsa, from Frozen.

Yeah, I really couldn’t decide which of these two I liked better. On the one hand, Elsa, the Snow Queen, is a more complex character. She is essentially the anti-hero of the film: she is by no means imaginable a villain, but it’s hard to call her a hero, outright, either. What makes Elsa so fascinating - besides her incredible cryokinetic powers - can be summed up in one word: responsibility. She has been groomed from an early age to take full responsibility for just about everything. This is not only because she is going to become queen, but also because she has to learn to try and control her magical abilities. But living in more or less self-imposed isolation for the better part of your young life leads to you not quite knowing how to act around people, and it doesn’t take too much for the cracks in the armor to show. And when she loses control, things can go very badly, very quickly. Anna is the exact opposite: while Elsa keeps her emotions bottled up till they reach boiling point, Anna’s own reclusive life - having no sister and few friends to play with most of her life - makes her something of an emotional whirlwind. She really holds nothing back, and tends to be much more impulsive. She’s more optimistic, as opposed to Elsa’s mild cynicism. Neither side, in the film, turns out to be completely right. It’s only through love and compromise that these two sisters are able to overcome all the obstacles they face - sometimes inadvertently caused by each other’s actions - and ultimately come out on top. Two lovely heroines for the price of one film; it’s no wonder “Frozen” remains so popular.


6. Rapunzel, from Tangled.

I like to think that Anna & Elsa from Frozen represented what would happen if THIS character essentially got split apart into two people. Like both of them, Rapunzel has lived in sheltered isolation for most of her life. But while Anna wants to go out and do things without hesitation, and Elsa wants to remain shut-in and secure, Rapunzel is not really sure of what she wants. She longs to see the world, to learn its mysteries, to get out of the house...but she is completely unsure of herself and her own talents. Once again, it’s this dichotomy that makes the film, and the character, so interesting: with every passing obstacle she encounters, and as her relationship with Flynn Rider grows, she finds herself feeling more and more confident and excited...but there’s always that little niggling fear of being in a situation that’s too far over her head. In one of the most amusing scenes in the film, she flip-flops between hating herself for running away and having the time of her life in the forest. While she becomes more and more sure of herself over time, that argument never really leaves until the end of the picture. Seeing Rapunzel blossom, grow, and change is truly what makes Tangled work, and makes her perhaps one of the most dynamic heroines Disney has ever produced. (Sorry, Frozen. You’re still okay in my book.)


5. Sally, from The Nightmare Before Christmas.

After a line-up of characters like Rapunzel, Mulan, and Ariel, it might seem a little odd placing Sally, the Frankenstein’s Monster-esque ragdoll from “The Nightmare Before Christmas,” this high on the list. Well, first of all, “Nightmare” is one of my favorite films of all time...so she’s got that going for her. But Sally is far from just a pretty face. Like many a Disney heroine on the list, Sally wants to see the world, and enjoys slipping out of her home whenever she can. However, I think her reasons are a bit more sympathetic: the creation of the Halloween Town’s resident mad scientist, Dr. Finklestein, the good doctor believes Sally is, in his own words, “Not ready for so much excitement.” He seems to want her around more as a trophy than anything else; someone to do his bidding and act as a testament to his genius. Sally, however, can’t stand this. She’s restless, and longs for something more. This makes her something of a kindred spirit to Jack Skellington: a guy on top of the world, more or less, who, like her, has essentially grown bored with his own existence, and is yearning for something new and interesting. The difference is the extremes they go to: Sally is smart enough to know that if something doesn’t fit in Halloween Town, then Halloween Town probably shouldn’t get involved. This isn’t because she hates Christmas, or Santa, or anything like that...it’s simply because she knows some things are, to be blunt, better left to the professionals. (A little premonition of a burning Christmas Tree doesn’t help, either.) Though she’s a little on the shy side, she’s also incredibly practical, spunky, and slick-witted. Once again, she’s a vulnerable character, and a bit of a dreamer, but she’s got a sense of strength to her. But what I find most interesting, most unconventional, about Sally is her signature song. Many other heroines on this list, if not all of them, have fairly happy songs. Whether it’s joy at finding something, joy in dreaming of something, or whatever, they are decidedly enthusiastic. “Sally’s Song” is soft, lullaby-like, and decidedly somber and sad. This isn’t because Sally’s weak, however; she’s simply not in a mindset that’s quite as carefree. And even though Jack has to save her at the end, she bloody tries to help him out all she can, even going so far as to sabotage Jack’s Christmas out of fear it will be a disaster, and that he will get hurt, and thinks nothing of risking her own life and freedom more than once to find a way to help him and save Christmas (and Halloween). In some ways among the most underrated of Disney’s heroines, Sally’s leafy, raggedy beauty will always have a soft place in my Halloween-loving heart.


4. Alice, from Alice in Wonderland.

Well, this is no surprise, I’m sure. Anyone who knows me already is more than aware that I have something of an obsession with Lewis Carroll’s “Alice” stories. So it’s not a shock in any way to find the heroine of that story so high up on this list. However, to her credit, Alice has a distinguished pedigree as a Disney heroine on her own terms. While we’re specifically talking about the original animated film version, voiced by the lovely Kathryn Beaumont, Alice is perhaps the single longest-lasting fictional character Disney has handled. Walt Disney got his start doing a series of live-action and animated shorts called “The Alice Comedies,” in which a then-modern Alice ended up in a cartoon world of weirdness; some years after the classic film, there was a television series titled “Adventures in Wonderland,” reimagining Carroll’s characters for all the 90s kids on the block; Tim Burton later came out with a blockbuster reimagining, starring Mia Wasikowska, along with a recent sequel...and even “Once Upon a Time” got a hold of Alice, in a spin-off series with her as the main character, set in Wonderland. But, again, while all of them are worthy takes on the character of Alice, none have had the impact the classic animated version did, and still does to this day. Alice is a unique entry because she’s not out to save the world, or find her identity, or anything like that...frankly, she’s not that old. Alice, to put it simply, is just a curious little kid! But, then again, that’s actually what makes her so interesting: Alice is something of an outsider in her own world, as far as we can tell. She’s imaginative, and perhaps a little eccentric, even for a young girl. So when she ends up in Wonderland, she’s not quite sure what to make of it. On the one hand, she’s able to handle it probably a lot better than her sister, or any other adult, would be able to...but on the other hand, she’s still far more logical and practical than anyone there. Alice is a different kind of heroine; she’s essentially our guide through the wacky world of Wonderland. Still, she does have a set character, too, and not a bad one: she’s nice, but she has her limits, and she can even be a little mischievous from time to time. She’s strong in the way other heroines on this list really aren’t, and is younger than likely any of them found here. (In the books, she’s less than ten.) And like I said, as a major Wonderland-lover, I’d consider it a heresy if I didn’t include somewhere...so, here she is. Not much else to say. Moving on.


3. Tiana, from The Princess & the Frog.

How many Disney Princesses are voluntary workaholics? Answer: not many that I can think of. Tiana, in some ways, you could call an updated Cinderella: she has dreams, she works hard but patiently, and her story is one of rags-to-riches, as she goes from a low-born waitress to the owner of her own restaurant, as well as the wife of the fantastic Prince Naveen. But while Cinderella is rewarded for her diligence, Tiana has to take a different route: she’s so obsessed with making her dreams come true, she tends to lose track of the other important things in her life. Once she, like Naveen, is transformed into a frog (get a good look at the image above, ladies and gents; she’s an amphibian for most of the film) and the two go on their little adventure through the Louisiana Bayou, she comes to learn that while it’s important to hold on to your dreams, you can’t ignore the ones you love, and sometimes sacrifices have to be made in order for things to work out well for everyone. Never once is Tiana an unlikeable or unsympathetic character; you can totally understand everything she is going through, and she embodies all the great virtues many Disney heroines have, but gives them a somewhat more contemporary spin. For a company that constantly stresses the values of hard work and strength, it’s interesting to have a character who has to be taught that there’s something to be found in, to quote a phrase, “taking a chill pill.” HOWEVER, at the same time, they never say that her dreams are wrong or that she should just give up. Far from it! Tiana’s hard work does pay off, and her dreams do come true; she just has to learn that there are other things equally important that require her attention in life. It’s a curious sort of lesson, learned and taught by an interesting character. What more need be said? Besides, we’re in the top three...so we’re Almost There…

...Shameless song reference...check.


2. Belle, from Beauty & the Beast.

I was so, so, SO tempted to put Belle as my favorite Disney Heroine. She is, without a shadow of a doubt, my favorite Disney Princess. Like Cinderella, Tiana, and arguably Rapunzel and Aurora before her (though, in the case of those last two, it’s a little more complicated), Belle’s story is one of rags-to-riches. But she’s a different sort of Disney Princess. Belle starts off, in many ways, a flawed character. Not a BAD character, mind you; she’s never an unlikeable figure. In fact, in many ways, she’s admirable! In her hometown in France, she’s something of the town oddball; the most beautiful girl in the village, and also the most outcast. Almost everyone sees her as some sort of prize to be won, or else suspects her of some strangeness, or simply dismisses her as weird. She doesn’t care. She just goes about her daily routine, minding her own business, and being courteous and kind to everyone. It’s Belle’s independence and cleverness that makes her so outcast, too, which makes the townsfolk truly seem odd in comparison. What Belle really wants is also sort of unclear, yet also more particular than other characters: she’s not specifically out for love, or for glory, or to prove her worth. She’s out seeking...just…“more.” She calls it “adventure in the great, wide somewhere,” at one point, but I don’t think adventure is what she’s really seeking. It’s something much more metaphysical; something new and fresh and exciting and beyond the small mindset of the society around her. It’s not that she hates her little town, or anybody specifically in it, it’s just that she feels there more to life than the day-to-day activities found there. It helps that, in the end, she finds what she’s seeking in the last place she’d ever expect. She’s a romantic, to be fair, yet also very practical and clever. For someone so beautiful, she never shows off, and it’s clear to us that looks, for her, are far from everything. She comes to love the Beast because she sees what a gentle heart he truly has, and how he really just needs someone to help him learn how to care for others; she comes to loathe Gaston because he’s a selfish, misogynistic, two-faced cad with no regards to life of any sort. She fights through things, but in a different way than other princesses; many princesses have to learn. Belle has to both learn AND teach, helping the Beast just as much as he ends up helping her. She’s strong, she’s smart, she’s kind but not to a fault, and she has to learn to love the Beast just as he must learn to love her. It’s hard to create a story and character that dependent on another character and still make them interesting and fun, but the film manages perfectly.


But while Belle is my favorite Disney Princess, she is not my favorite Disney Heroine. That dubious honor goes to...


1. Judy Hopps, from Zootopia.

SWEET BUTTERY BISCUITS, I LOVE ZOOTOPIA! In my opinion, it’s probably one of the top five best Disney films ever made! And our two leads are the primary reason why: Judy Hopps and Nick Wilde. Judy, between the two, is clearly the main character; she’s the character we follow the most closely, and who goes through a changing arc that reaches its conclusion by the climax. It’s funny, because, on the outset, she’s a character who could have worked horribly: an excitable, bouncy (ha ha) bunny rabbit who sees the world through rose-colored glasses, and perceives good and evil as simply black and white. In any other movie, she could have been a ridiculously annoying character. Thankfully, things don’t turn out that way: Judy’s staunch determination is matched by her endearing and bubbly personification. Although she is something of an optimistic idealist, she’s by no means, as the characters put it, “a dumb bunny”: her mind is as quick as her feet. As the first rabbit officer in Zootopia - where the police force consists quite literally of lions, and tigers, and bears (oh, my), some could argue she has more to prove than any other Disney Heroine. But what’s especially interesting is her job: many of the heroines on this list (including those above her) are princesses, but Judy’s job is nothing so glamorous: she’s a police officer. And that’s what she has always wanted to be. And she doesn’t seek it for the glory, she doesn’t seek it for any sort of heroic glamor...frankly, all the publicity puts her on edge and gets her frazzled, as we see in the film. She wants to prove her worth, and, perhaps more importantly, she wants to help people. She wants to help people so much, ALL people, that when things go wrong because of her, she feels she can’t keep that job. She makes plenty of mistakes along the way - some are bigger than others - but she learns from each and every one of them. And through it all, even when reality starts to shatter her dreams, she never loses sight of what’s most important, and firmly stands by a simple belief: there is good in this world, and it’s worth fighting for. (She and Samwise Gamgee would likely get along quite well.) Ginnifer Goodwin (most famous perhaps as Once Upon a Time’s Snow White) is absolutely perfect, lending a sweetness and a sort of childishness to the role that’s...well...I would say “cute,” but Judy doesn’t like that word. Besides, Judy isn’t...that all the time: she can be downright vicious when the situation calls for it, with plenty of sternness and snark to back up her more “fuzzy” moments. A role model, a dynamic character, a thematic figure, and frankly one of the most likeable bunny rabbits ever put to screen (and keep in mind, I’m allergic to rabbits...severely so), Judy Hopps is, without a shadow of a doubt, My Favorite Disney Heroine.


Now, for a few Honorable Mentions. Just like with my Villains list, I’m going to give three here: one from Lucasfilms (because Disney owns that now), one from Marvel (because Disney owns that now, too), and one from Pixar (because you know the drill).


Princess Leia, from Star Wars.

How weird is it that Leia is technically a Disney Princess now? (pauses) Also, technically, shouldn’t she be called a Queen? Her father gets blown to bits in “A New Hope,” so why does she keep the title? Oh, well, never mind. Honestly, what can I say about Leia that hasn’t been said before? A leading figure in the Galactic Rebellion, she’s just as capable, if not more capable, when compared to her comrades, Luke Skywalker and Han Solo. She’s just as good a fighter, a brilliant strategist, able to keep composure under pressure (although she has her limits, like anybody), and an all around quick-thinking wonder woman of a character...without actually being Wonder Woman. (If she was, Warner Bros. might get a bit upset.) Somehow equal parts cynical and cold and yet optimistic and hopeful, she’s no one’s dupe, and rarely the damsel in distress. (And when she is in distress, she tends to get out of it herself, at least half the time.) And as we later discover, Leia may have hidden talents that even she isn’t fully aware of, which only adds an additional layer to an already fantastic character.


Rogue, from X-Men.

Okay, so this one was EXTREMELY hard to choose, because even though Disney owns Marvel on the whole, and even though they’ve released several X-Men-related shows and other such media, the live-action movies - which have my favorite version of Rogue - are the property of 20th Century FOX. So, in a way, I guess I’m cheating a little...but you know what? To heck with it. Rouge is my favorite Marvel heroine. This mutant has the power to drain people’s powers, and even their lifeforce, with the touch of a bare, pale finger. That’s a LOT of power to have, and it frankly can be just as much of a curse for her as a blessing. Going on a slight tangent here, science has more or less proven that the sense of touch is probably one of the absolute most important; without being able to touch someone, there’s always something of a disconnect. So imagine going through life knowing that if you hold someone’s hand without your gloves on, for any amount of time that’s too long, you could kill them without even thinking or trying. For some people, that would turn them to the dark side real quick; for Rogue, she tries to find ways to use this power for good, and to control it. In many incarnations, she’s a regular little spitfire as well, and despite how depressing this background can be, she manages to keep a level head and a rather humorous outlook on things, which is obviously admirable. So...yeah. FOX may have the rights to the film version, but Disney now owns just about everything else, and I’d say Rogue is a welcome addition to their collection of fine heroines.


Jessie, from the Toy Story franchise.

This happy-go-lucky cowgirl doll is undeniably the most colorful female protagonist Pixar has produced. And considering their personal line-up includes superheroes, forgetful fish, robots, and talking automobiles, that’s saying a lot. But despite her usually carefree nature, Jessie isn’t all smiles; she’s frankly a rather hyperactive character, able to swing from rough-riding and rambunctious to intense anger in a nanosecond, and, as we quickly find out, she hasn’t had the happiest life a toy could have. Still, she tries to keep a positive outlook on things, and gets quite a lot of really funny moments. (Her relationship with Buzz Lightyear, by the way, I frankly find adorable.) Of all the new characters introduced in “Toy Story 2,” Jessie was perhaps the most interesting and fun of them all, and it doesn’t look like she’ll be going anywhere anytime soon. Thank goodness for that.


Other Honorable Mentions Include…

Daisy Duck. (Have to include a “core” character here somewhere, don’t I?)

Esmeralda, from The Hunchback of Notre Dame.

Lilo, from Lilo & Stitch.

Cinderella, from Cinderella.

Princess Eilonwy, from The Black Cauldron. (Shush; I like her. Don’t judge me.)



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